AI Can Create But Under U.S. Copyright Law, It Still Cannot Be the Author

Posted in , on March 9, 2026.

Artificial intelligence keeps forcing copyright law into harder and harder questions.

But at least for now, one rule remains firmly in place.

In Thaler v. Perlmutter, the Supreme Court declined to review a lower court decision holding that a copyrightable work must have a human author. That does not mean every AI-assisted work is unprotectable. It does mean that under the current U.S. framework, copyright still begins with human authorship.

This case is important because it helps clarify where the line currently sits. If a work is generated entirely by AI without sufficient human authorship, it is not entitled to copyright protection. If a human meaningfully contributes protectable expression, that is a different analysis.

That distinction is going to matter more and more.

Thaler v. Perlmutter
Thaler v. Perlmutter

The biggest takeaway from Thaler v. Perlmutter is simple: the Supreme Court declined to disturb the existing rule that copyright protection requires a human author.

That does not mean the Supreme Court issued a merits opinion on AI authorship. It means the Court denied certiorari, leaving the lower court ruling in place.

Practically speaking, though, the message is clear. Under current U.S. copyright law, works that lack human authorship remain outside the protection of copyright.

That is a major development for artists, creators, startups, and anyone building with generative AI tools.

What Happened
What Happened

Stephen Thaler tried to register an artwork called “A Recent Entrance to Paradise” and identified his AI system, the Creativity Machine, as the sole author.

That framing mattered.

This was not a case where a human claimed to have used AI as a tool in the creative process. Instead, Thaler expressly took the position that the work lacked traditional human authorship and was generated autonomously by the machine.

The Copyright Office refused registration on that basis, and the courts agreed.

So the case became a clean vehicle for a narrow but important question: can a non-human machine be the author of a copyrightable work under current U.S. law?

The answer, at least for now, is no.

Why Did He Lose?
Why Did He Lose?

He lost because the courts treated human authorship as the baseline requirement for copyright protection.

The D.C. Circuit said the word “author” in the Copyright Act refers to a human being. That is why the court rejected the idea that an AI system itself could qualify as the author of the work.

The Naruto “monkey selfie” case is helpful as an analogy, even though the posture was different. That case is often cited for the broader idea that copyright law does not recognize non-human authorship. In Thaler, the D.C. Circuit pointed to that line of authority as support for the rule that authorship must be human.

So the doctrinal thread is consistent: no human author, no copyright.

What This Means In Practice
What This Means In Practice

The decision does not mean that every work involving AI is uncopyrightable.

What it means is that a work generated entirely by AI, without sufficient human authorship, is not eligible for copyright protection under the current framework.

That is also consistent with the Copyright Office’s guidance. The Office continues to treat AI as a tool, not as an author. Where a human contributes copyrightable expression, creative selection, arrangement, or meaningful modification, those human-created aspects may still be protected. But where the output is simply produced by the system without enough human authorship, protection falls away.

That is the real practical takeaway.

The question is no longer just, “Was AI involved?”
The better question is, “Where is the human authorship in this work?”

For now, U.S. copyright law is holding the line.

A copyrightable work must begin with human authorship. That is the rule the Copyright Office applied, the D.C. Circuit affirmed, and the Supreme Court has now left undisturbed.

At the same time, this is not a blanket rejection of AI-assisted creativity.

People will keep using AI in the creative process, and the legal analysis will keep turning on the same core issue: whether the human contribution is sufficient to qualify as authorship of protectable expression.

That means the real legal work is now in the gray area.

Not every AI-assisted work is excluded.
Not every human contribution is enough.
And prompting alone, at least under current guidance, is usually not the end of the analysis.

For creators, companies, and counsel, the practical lesson is straightforward:

If you want copyright protection, be prepared to identify the human-authored expressive elements of the work.

Because under current U.S. law, that is still where copyright starts.

This article is for general educational and informational purposes only and does not constitute legal advice.

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Law for Trade shows Law for Influencers Law for Sample rooms Law for Content creators Law for Streamers Law for Conservators Law for Artist estates Law for Appraisers Law for Beauty brands Law for Fashion designers Law for Art galleries Law for Brand ambassadors Law for Precious metal dealers Law for Videographers Law for Jewelers Law for Luxury brands Law for Curators Law for Retailers Law for Hospitality groups Law for Streetwear brands Law for Podcasters Law for Eyewear brands Law for Art collectors Law for Talent agencies Law for Luxury marketplaces Law for Artists Law for Art advisors Law for Comedians Law for TikTokers Law for Jewelry designers Law for Bloggers Law for Fashion models Law for Stylists Law for Entrepreneurs Law for Youtubers Law for Authenticators Law for Event producers Law for Photographers Law for Talent managers Law for Art insurers Law for Gemologists Law for Startups Law for Art dealers Law for MCNs Law for Modeling agencies Law for Auction houses Law for Fashion brands Law for Founders Law for Interior designers Law for Art logistics providers Law for Museums

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